Press

‘Discussions: Richard Chartier’ / The Moderns / April 24 (2023)
‘LINE, worshipping sonority as a profound artistic manifestation’ / Clot Magazine / Sept 29 (2022)
‘Pinkcourtesyphone Talks Sound’ / 15questions.net /Sept 16 (2022)
Interview: Richard Chartier’ /Data.Wave webzine / April 10 (2021)
‘Pandemic Interiors: Pinkcourtesyphone and Coronavirus Politics’ / thebattleground.eu / Dec 16 (2020)
interview with bandcloud.org / Dec 12 (2020)
‘Richard Chartier: Grinding nostalgia into fairy dust’ / Cyclic Defrost, Australia / Sept 15 (2020)
‘Distances #4 – Richard Chartier’ / INA-GRM, France / April 3 (2020)
‘RICHARD CHARTIER, a pulsating journey into microsounds and pink noise’ / Clot Magazine / May 8 (2019)
‘J’ai longtemps éte obsédé par le silence’ / Phonographecorp, France / April 27 (2018)
‘Feature | FILLER’ / Blisspop, US / April 18 (2018)
NOW(New Operation Wave), “Borderline Researches” Inside Art #109. March (2017) Italy
“Infinite Grain 04: Richard Chartier on Sonic Field. July 15 (2014)
“Interview: Richard Chartier” on Le Son du Grisli. June (2014)
“Interview with Richard Chartier” on Headphone Commute. Dec 23 (2013)
“Teléfono rosa de cortesía: una conversación con Richard Chartier” on Concepto Radio. Nov 11 (2013)
Denny, Chelsey Morell & Leif Huron “A Screen Is a Screen Is a Screen” Spectre // Spectrum. Conveyor. Issue 5. Oct 31 (2013) US: p6-13
Interview (2013) with Richard Chartier, Yann Novak, Fabio Perletta for Fluid Radio
Interview (2013) with Richard Chartier for 15 Questions
Dorris, Jesse “Found Sound: Exploring with Richard Chartier”, Interior Design Magazine (2012) US: online
O’Sullivan, Michael “Artisphere show delivers an eyeful and an earful”, The Washington Post. Oct 7 (2011) US: weekend p35 / pdf
Rule, Doug “Surround Sounds”, Metro Weekly. Oct 13 (2011) US / online / pdf
Dalò, Roberto Paci and Enrico Pitozzi Electro Scene: A Cartography of the Links Between Images and Sounds in the Contemporary Electronic Scene, Cronopio Edizioni (2011) IT / pdf
Porter, Christopher “The District’s LINE: Richard Chartier’s Sounds of Silence”, Washington Post Express. Feb 8 (2010) US: p27 + online / read
Richards, Chris “Be specific: Sound artist Richard Chartier and the Grand Tonometer”, Washington Post. Oct 7 (2010) US: online / read
Dingfelder, Sadie. “A Digital Composer Takes on Real Instruments”, Washington City Paper. Oct 7 (2010) US: online / read
Demers, Joanna. Listening Through the Noise: The Aesthetics of Experimental Electronic Music, Oxford University Press (2010) UK
Pisano, Leandro. “La Superficie Del Silenzio”, Blow Up, # 134/135 (July/August 2009), Italy: 124-129 / PDF
Kudryavtsev, Vlad. “Linear Music: Richard Chartier”, Electronic Music Magazine, #3 (2009), Russia: 1,3, 10-15
Ch. R. “Territorios celebra los 60 años del expresionismo abstracto”, Diaro de Sevilla. June 6 (2009) Spain: 51-52 / read
O’Sullivan, Michael. “Artist Goes Flat-Out to Draw the Viewer In”, The Washington Post, February 19 (2009) USA: WE19 / read
Rickman, Johnathan. “Temporary Pleasures”, Washington Post Express, February 19 (2009) USA: E6
Hatanaka, Minoru. “Richard Chartier”, Intoxicate vol.#77 (2008), Japan: p31
Licht, Alan Sound Art: Beyond Music, Between Categories, Rizzoli (2007) USA
EXTRACT: Portraits of Sound Artists, Ed. Heribert Friedl+Raphael Moser. Non Visual Objects (2007) Austria
Neugarten, Rachel “Subtle Arts,” The Oregonian, April 13 (2007) USA
Binstock, Jonathan P. “Ways of Scene” Capitol File, Spring (2007) USA: p184 / PDF
Langlais, Jérôme “Richard Chartier” Fear Drop, Editions Fear Drop, Issue 13, (2007) France: p22-25 / PDF
Lee, Sam “Minimum Impact” Time Off, Sept 27 (2006) Australia: 24
Tuttle, Andrew “Chartier Buster” Rave Magazive, Sept 26 (2006) Australia: 13
Massey, Bob “Sound & Vision” The Washington Post Express, March 30 (2006) USA: E5
Montgomery, William “On the Surface of Silence: Reticence in the Music of Richard Chartier” Blocks of Conciousness and the Unbroken Continuum. Ed:Marley/Wastell. Sound 323 (2005) UK / PDF
Bolle, Susanna. “FFWD: Richard Chartier” Grooves, No.16 (2005) USA:22 / PDF
Cox, Christopher. “Return to Form” Artforum International XLII, No. 3 (2003) USA: 67 / PDF
McCabe, Bret. “Its Oh So Quiet” Baltimore City Paper 27.29 (2003) USA: 20-21 / PDF
Nasrallah, Dimitri. “Reclaiming Cultural Excess: The Anatomy of Unessentialism” The Blow Up Issue 7 (2003) USA / PDF
Guitton, Maxime. “Á Bruit Secret.” Chronic’Art Issue 9 (2003) France
McCabe, Ryan. “Richard Chartier at the Contemporary Museum.” Radar: Baltimore Arts and Culture Issue 3 (2002) USA: 19
Gross, Jason. “Previews: Richard Chartier-Whitney Museum of American Art.” TimeOut NY Issue 352 (2002) UAS: 113
Ramos, Anna & Roc Jiménez. “Amor digital: música experimental en la década de los noventa” Loops. Una historia de la musica electrónica. Ed. Javier Blanquez and Omar Morera. Mondadori, Spain: Reservoir Books. ( 2002): 437-472
Huberman, Anthony. “Ether Talk.” The Wire Issue 219 (2002) UK
Boon, Marcus. “Removal Company.” The Wire Issue 218 (2002) UK: 14 / PDF
Griffin, Tim “Bi American.” TimeOut NY Issue 337 (2002) USA: 81
Gopnik, Blake “As American As Jambalaya.” The Washington Post March 7 (2002) USA: C1
Rinder, Lawrence Whitney Biennial 2002: 2002 Biennial Exhibition, Whitney Museum (2002) USA: 58-59 / PDF
Miller, Nicole. “New Works for the Eyes, Ears & Mind.” The Washington Post February 28 (2002) USA: C1
Sherburne, Philip. “12k:Between Two Points.” Organised Sound 7.1 (2002) Cambridge University Press, UK: 171-176
Sasaki, Atsushi. “Analyzed Silence: Audibility of ‘lowercase sound.’ ” Post-Techno[logy] Music. Ed. A.Kubota. Oomura Shoten (2001) Japan: 323-351
Winters, Pamela. “White Magic” Washington City Paper 21.50 (2001) USA: 58
Tittley, Nicolas “Tout Petit, la planéte.” Voir April 5 (2001) Canada
Cascone, Kim “The Aesthetics of Failure: ‘Post-Digital’ Tendencies in Contemporary Computer Music.” Computer Music Journal 24.4 (200) USA: 12-18
Searing, Daniel “Hears the Grass Grow.” Washington City Paper 19.15 (1999) USA: 54
Lewis, Nicole “A Site For Sore Ears.” The Washington Post November 18 (1999) USA
O’Sullivan, Michael ” ‘Fuzzy’ Wuzzy Bearable.” The Washington Post March 26 (1999) USA